Blues Alley
Blues Alley


Joel Ross

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Joel Ross 'Good Vibes' includes Immanuel Wilkins - alto, Jeremy Corren - piano, Or Bareket - bass & Kush Abadey - drums

Chicago native Joel Ross has performed with historic and seasoned artists - Herbie Hancock, Louis Hayes, Christian McBride, and Stefon Harris - as well as with cutting-edge contemporaries like Ambrose Akinmusire, Gerald Clayton, Jon Batiste and many more. Twice selected as a Thelonious Monk Institute National All-Star and a 2013 YoungArts Jazz Finalist - he's also had the opportunity to perform at the Brubeck, Monterey, Seattle, and Chicago Jazz Festivals -and- at internationally-celebrated venues like Dizzy’s Club Coca-Cola in New York, SF Jazz in San Francisco, and Club Vibrato in Los Angeles.

Playing the drum kit as early as three years of age, Ross learned other percussion instruments & approaches beginning in grade five, in his tenth year. When starting his work on Vibes, he engaged both classical and jazz works, and did so throughout high school. In his last year there, Ross also began playing the piano in a more serious way.

Ross recently completed a two year fellowship with the Brubeck Institute Jazz Quintet in California. Winning first place at the 2016 BIAMP PDX Jazz Festival 'Jazz Forward' Competition, he was also a winner of the Keep an Eye International Jazz Award, in Amsterdam. A fitting addition to trumpeter Marquis Hill's wonderful group - before their 2016 European tour - He performs with his newly minted Joel Ross’ Good Vibes ensemble, among other ensembles he leads.

“[Ross is a] bright young vibraphonist on his own rocket-like trajectory,...he’s somebody I’ll keep my eye on in the coming months.”  — Nate Chinen, The New York Times

Blues Alley

1073 Wisconsin Ave. NW Washington, DC 20007

*Please note:
1. Final sale, no refunds, not transferable.
2. $12 food/beverage minimum per person not included in ticket price.
3. Seating first come at the door. Doors open at the earliest of 6 PM & 9:45 PM respectively.
4. Photography or Recording of any kind is prohibited during the performance.
5. Keep conversation to a minimum during the performance.